Matthew Celia, Co-Founder and Creative Director of immersive studio Light Sail VR, reveals how he leveraged the magic and psychology of VR to deliver a live, Emmy-winning 3D 360° production of Saturday Night Live, and where he expects the technology to go next.
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EBU’s Alan Fagan: “Eurovision Sport isn’t simply another streaming platform”
The Managing Director of the EBU’s first direct-to-consumer platform tells David Davies about two years of market growth and technological progress, recent excursions into AI, and the broader EBU sports ecosystem.
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BAFTA Albert’s Matt Scarff: “If I had to name one challenge, it would be time”
For 15 years, BAFTA Albert has worked alongside the UK's screen industry, helping transform the power of storytelling into meaningful climate action, both behind the camera and on screen.
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Ant Boys on The Invite and AI's promise
ACE Eddie-winning and BAFTA-nominated film editor Ant Boys, whose work includes The Great and Veep, discussed his latest film, the comedy/drama The Invite, and shared his views on the potential of AI in film editing, during a conversation at the IBC Conference yesterday, presented by American Cinema Editors.
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Toby Scales: Building trust in an AI world
In preparation for his IBC2026 conference session, Toby Scales, CISO Media, Entertainment, Chairperson, Google Cloud, reveals what’s next for authenticity, provenance challenges, and AI.
Banijay’s Adam Kaczmarski: “Brand is the enabler of the entertainment”
IBC2026 speaker Adam Kaczmarski, Creative Producer, Electric Robin, explains why successful branded entertainment must put audiences before products, measure emotional engagement, and give creative partners room to tell compelling stories.
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