Features articles
1793697937

Neural Radiance Fields – A new approach to 3D modelling

From the chemical, mechanical and electrical process of creating a film, to the rise of virtual production, visual storytelling has always turned to cutting-edge technologies. Now Neural Radiance Fields (NeRF) could replace the traditional technological foundations that broadcasting and film are built upon. IBC365 speaks to leading researcher, Professor Ravi Ramamoorthi.

Read more
180105386

Future predictions – Part II: Leaders and analysts

The coming year hints at big changes in focus and innovations for the media and entertainment world. With giant leaps in AI advancements, streamlining production and the road ahead for ad-tech, how can vendors meet the demands of the hungry yet cost-conscious consumer, whilst staying ahead of the game? John Maxwell Hobbs gathers more expert insight from leaders and analysts in the second part of our future predictions series.

Read more
1813285654

Future predictions – Part I: Broadcasters and suppliers

As we wrap up 2024, it’s time to consider what lies ahead for the media industry in 2025. John Maxwell Hobbs probed industry executives to share their crystal ball predictions on themes spanning the impact of AI, the transition from hardware to software-based solutions, data security and ways of reaching new audiences.

Read more
2373612185

Finding our ethical true north on AI: Part I

Much of the caution voiced around AI technology’s increasingly omnipotent influence in media and entertainment has focused on ethical practice and application. How can a technical asset of seemingly unlimited potential power be responsibly deployed by media companies without compromising the safeguards and security of systems, rights, and people? And should regulation and standards play a gatekeeping role? James McKeown provides the first of a two-part report.

Read more

Behind the scenes: Bringing live deepfakes to the fore in Here

The breakthrough in the making of Here was not the authenticity of a de-aged Tom Hanks, but that the face-swapping technique could be achieved live on set.

Read more
IBC2024 hosted 45,085 visitors from 170 countries – the largest live IBC in 5 years

Broadcasting in 2024: Spotlight falls on production and platforms

Over the past decade, media companies had a strong focus on the way programmes were viewed – we’ve seen HD, 3D, 4k, 8k, HDR, VR, and AR presented as the next big thing. In 2024, things shifted. John-Maxwell Hobbs digs into production and delivery practices, cloud, AI and sustainability trends of the past 12 months.

Read more
2474919673

Highlight of the year: Olympic Gold for 5G as adoption gathers pace

The Paris 2024 Olympics marked a significant milestone in the effectiveness of 5G technologies for live broadcast, with Neutral Wireless and the BBC leading the charge.

Read more

Content Everywhere: a look back at 2024

As the year draws to a close, it seems an opportune time to ask Content Everywhere companies for their views on the top trends in 2024. As always, key industry players have been keen to respond with comments and views on how the past year shaped up both for them and the wider industry.

Read more
2475272675

AI and the evolution of MAM: Part three – future outlook

In the final part of our investigation into MAM’s current and future relationship with AI, James McKeown analyses where the technology is likely to take asset management capabilities next, and the other factors driving the evolution of the space.

Read more
Writer, executive producer and director Alfonso Cuarón with executive producer and cinematographer Emmanuel “Chivo” Lubezki, on location in Forte dei Marmi, Italy.

Behind the Scenes: Disclaimer

For all the slippery perspectives in psychological thriller Disclaimer, the truth is lying in plain sight, explains Editor Adam Gough.

Read more