The breakthrough in the making of Here was not the authenticity of a de-aged Tom Hanks, but that the face-swapping technique could be achieved live on set.
In Here, we follow the relationship of Richard and Margaret Young, played Tom Hanks and Robin Wright, as it evolves from their teens to their twilight years. The de-ageing and ageing process of the actors is achieved using the latest developments in generative AI technology.
It’s the largest-scale use of an emerging technology from London-based company Metaphysic that is able to digitally swap faces live.
For director Robert Zemeckis, the technology...
You are not signed in
Only registered users can read the rest of this article.

Behind the scenes: Dept. Q
Netflix's latest police procedural is a love letter to hardboiled noir and classic British TV crime drama, says showrunner Scott Frank.
.jpg)
Behind the scenes: How to Train Your Dragon
This remake of a classic animation works from Roger Deakins’ original lighting design, a colour palette plucked from the Faroe Islands, and puppeteered dragons, explains DoP Bill Pope.

Behind the scenes: Andor
“We’re not writing to the headlines, but you see this sort of conflict and empire building happen over and over again in history”, says John Gilroy, lead editor and executive producer of Star Wars spy thriller Andor.

Behind the scenes: Sinners
Shooting large format IMAX and designing a surreal montage resonated with the film's themes of spiritual ancestry and musical legacy.

Behind the scenes: 1992 and the colourist of Seville
Netflix series 1992 presents a chilling depiction of Seville during the 1992 World’s Fair, where heavy contrasts of light, dark, and a muted colour palette set a gothic atmospheric tone for this suspenseful thriller.