Adrian Pennington

British TV is in the midst of generational transformation and for better or for worse, is ever more directly affected by the global TV industry.

BBC Sport’s John Murphy divulges the expert insights he gained on AR, LED volumes and camera tracking from setting up the virtual studios for Match of the Day and several major sporting tournaments.

Watching TV is not supposed to be hard. It should be pleasurable, but the industry has tied itself in knots as content and platforms fragment then coalesce in the shift to streaming.

Yahoo Mail Vice President (VP) of Business Development and Partnerships Harish Sarma will speak on the IBC panel ‘The Power of Collaboration: How strategic partnerships are transforming broadcasting’ on 12 September.

It seems unlikely that Mark Gatiss would ever get angry but mention ‘cosy crime’ and the Sherlock creator exhibits mild exasperation.

F1: The Movie gives the sensation of racing at 200mph from a driver’s eye view thanks to two sets of new cameras custom-engineered for the film.

Remote production takes centre stage as Sky teams up with Stan Sport to deliver UHD footage at the heart of the action.

Image generators such as Veo 3 can now convincingly simulate human emotions, interactions and voice but the speed of development leaves production companies crying out for ethical LLMs.

The VFX blockbuster opts for an old school production by shooting extensively on location and on film.

Returning to Riyadh this month for its second outing, the Esports World Cup is being billed as the most ambitious and technologically advanced global competitive event in history.