Adrian Pennington

Filmmaker Barry Ackroyd reveals how his camera work takes audiences inside the command bunker and gives them no control over the final countdown to nuclear Armageddon.

Although the broadcast industry has been rife with theft since the early days of cable TV, it now faces piracy at an industrial scale and speed. At IBC2025, a panel of security experts warned that illegal streaming is accelerating in scale, sophistication, and impact.

Editor Parker Laramie explains how frontier drama Train Dreams walks the line between naturalism and magical realism.

Buffeted by economics and squeezed by Big Tech, the last thing America’s broadcasters wanted was to have their news operations muzzled or business threatened with political interference, yet that’s the realpolitik of the US TV entering NAB Show NY.

The Cannes Palme d’Or-winning critique of Iran’s police state was made in secret as an act of defiance. IBC365 sits down with the film’s Editor Amir Etminan to learn more about the fearless filmmakers’ process.

Editor William Goldenberg and Director Paul Greengrass elaborate on the plot of The Lost Bus, a white-knuckle ride disaster movie with a burning environmental message.

The Danish auteur is back with a new movie, a prominent role in a computer game, and the same confrontational attitude to formulaic art.

For Ben Wheatley’s experimental, low-budget ‘midnight movie’, DoP Nick Gillespie incorporated a mix of formats, DIY effects, and back projection techniques to evoke classic cinema.

The fate of public service broadcasting was transmuted into an existential threat to British culture, politics, and prosperity at the RTS Cambridge Convention.

Cinematographer Callan Green breaks down the colourful visual aesthetic of the action-comedy sequel Nobody 2.