Adrian Pennington

The precision design of David Fincher’s hit-man feature mirrors its subject, writes Adrian Pennington

Virtual production technology has reached a new level of sophistication and many productions are now being written with a Volume in mind. However, it is not right for all stories and some tech gremlins remain, writes Adrian Pennington.

Cinematographer Oren Soffer discussed bringing guerilla-style filmmaking to sci-fi blockbuster The Creator with Adrian Pennington.

Paul Cameron is a distinguished cinematographer who is now making a move into the director’s chair. IBC365 spoke to him about his latest project, Special Ops: Lioness, a military drama for showrunner Taylor Sheridan.

U2’s 1997 concert in the aftermath of the Bosnian War is relived and remixed from archive footage, original audio and new testimonials, writes Adrian Pennington.

Martin Scorsese always wanted to make a Western, arguably the defining American artform. With Killers of the Flower Moon, he got his chance to chronicle the way the country has been moulded from violence and prejudice, writes Adrian Pennington.

Eutelsat and Amazon Web Services (AWS) showcased the DVB-NIP (Native IP) solution at IBC2023, integrating video distribution with production and distribution workflows deployed over the AWS cloud.

Japan 2019 was the first World Cup to have an independent host broadcast operation. Previously responsibility had rested with the leading domestic broadcaster (as ITV did in 2015, for example).

France has one standalone sporting spectacle this year in hosting the Rugby World Cup France 2023 and anticipation of a possible home triumph is building, writes Adrian Pennington.

“With our partnership with Irdeto, we’ve found a company with common goals and values,” said Vijay Sajja, Founder and CEO of Evergent.