The cinematographers behind Netflix sci-fi series explain why the sun was such an important element in the show’s VR game world and how they played the story’s fictional science straight down the line.
ttempting to do for science fiction what Game of Thrones did for fantasy, Netflix series 3 Body Problem mixes a large cast and a constellation of locations with shifting timelines, astrophysics and alien invaders.
Game of Thrones’ showrunners David Benioff and D.B. Weiss were reportedly handed $20m an episode – bigger than GoT’s budget - to adapt the sci-fi novels of Chinese writer Liu Cixin into eight parts of what is hoped will be the first of several seasons.
Like events in Westeros, the arc of the story is one of impending threat centred around...
You are not signed in.
Only registered users can view this article.
Behind the scenes: Squid Game 2
The glossy, candy-coloured design of Squid Game is a huge part of its appeal luring players and audiences alike into a greater heart of darkness.
Behind the scenes: Adolescence
Shooting each episode in a single take is no gimmick but additive to the intensity of Netflix’s latest hard-hitting drama. IBC365 speaks with creator Stephen Graham and director Philip Barantini.
Behind the scenes: Editing Sugar Babies and By Design in Premiere
The editors of theatrical drama By Design and documentary Sugar Babies share details of their work and editing preferences with IBC365.
Behind the scenes: A Complete Unknown
All the talk will be about the remarkable lead performance but creating an environment for Timothee Chalamet to shine is as much down to the subtle camera, nuanced lighting and family on-set atmosphere that DP Phedon Papamichael achieves with regular directing partner James Mangold.
Behind the scenes: The Brutalist
Cinematographer Lol Crawley finds the monumental visual language to capture an artform that is essentially static.
