In Alex Garland’s action thriller cameras are a weapon of truth, writes Adrian Pennington.
There’s a scene in Oliver Stone’s 1986 movie Salvador about the country’s chaotic civil war where a photojournalist played by John Savage is killed in the heroic attempt to capture the money shot - or proof - of military bombs falling on the civilian population.
The heroic nature of photojournalists and the wider importance of upholding the journalistic quest for truth is Writer-Director Alex Garland’s mission in Civil War - although the lines are blurred. The film’s hero, a veteran war photographer, is among a press pack dreaming of the ultimate money shot: the capture or execution...
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Behind the Scenes: Disclaimer
For all the slippery perspectives in psychological thriller Disclaimer, the truth is lying in plain sight, explains Editor Adam Gough.
Behind the Scenes: Conclave
Mystery, suspense and a game of thrones in the Vatican lensed by cinematographer Stéphane Fontaine.
, Director Jon M. Chu, and Ariana Grande (as Glinda) on the set of Wicked.jpg)
Behind the Scenes: Wicked
Opposing colours in the same frame, 6000 lightning cues and shooting 17 sound stages - one the size of four American football fields, all merit why Wicked is the ‘latest hurrah to the golden days of epic studio filmmaking,’ writes Adrian Pennington.
Behind the Scenes: Blitz
The director of 12 Years A Slave and Small Axe has created a historical aesthetic of a tragic and turbulent London, depicting lives subjected to a permanent black out, in Blitz, Steve McQueen’s new film based on authentic anecdotes and inspired by filmmaker archives of the era.
Behind the Scenes: How sound and vision get under the skin in Nickel Boys
Re-recording Mixer Tony Volante and Cinematographer Jomo Fray explain how they told a drama from the perspective of its lead characters.
