AI may grab the headlines at Paris 2024 but OBS aims to democratise access to human stories with an inclusive approach to broadcast, digital and social engagement.
The IOC’s broadcast of the 2024 Olympic Games will be bigger, faster, leaner and more data-fuelled than ever before, no doubt reaching a record-breaking audience online and on TV too. But for all the panoply of tech tools trained on athletes, spectators and vistas in Paris, there is one deceptively simple mission for the Olympic Broadcasting Services (OBS) - to communicate the Olympic spirit.
“Unlike traditional broadcasting, which was one broadcaster talking to mass audiences, now we also have capacity to collect individual reactions,” enthuses Yiannis Exarchos, CEO of OBS. “For me, this opportunity is fascinating because it can lead to a gradual and complete democratisation of storytelling. It can mean the virtual participation of every single person in this common human narrative. That is the Olympic Games.”
Exarchos’ Olympic journey began assisting the Athens bidding committee in 1997. He helped set up the host broadcasting operation for the Athens 2004 Games and subsequently the IOC’s own host operation, OBS, which it took in-house to better manage the sheer scale and complexity of the job.
Exarchos has long wrestled with what it would mean to the viewer experience - and the fate of...
You are not signed in
Only registered users can read the rest of this article.
.jpg)
The Lobby: Levelling the playing field in esports
With diversity, equity and inclusion at its core, Guild Esports has continued to build on its community-focused programmes, helping to create a welcoming and respectful environment for all gamers. Ivan Simic reports.

Content Everywhere: Accelerating towards IBC2025
Content Everywhere companies are already in planning mode for this year’s IBC, which takes places as usual at RAI Amsterdam in September. Some will also have been working on, or at least taking note of, projects included in the event’s Accelerator Programme, the 2025 iteration of which began last October with a call for challenges, followed by Kickstart Day in February.

Sheffield DocFest: Panellists scold media for succumbing to ‘climate of fear’
Investigative documentary filmmakers take broadcasters and streamers to task for being complicit in the rise of authoritarianism and muzzling the Palestinian experience in Gaza.

Machine burning: Is it high time for a global AI energy regulator?
AI is the new secret sauce that every CTO is being pressed to bring on board, helping to supercharge every part of the business, from automating admin to amplifying creativity. But what is the underlying cost to the environment? Neal Romanek reports.

Resistance may be futile: Animators unite to fight and work with AI
What happens when the tortoise of animation meets the hare of artificial intelligence? Speed is AI’s superpower but it threatens to wipe away jobs and craft. IBC365 is on the ground at the Animation Film Festival in Annecy.