Adrian Pennington

Look, lighting and camera movement were stripped back to basics by cinematographer Lukasz Żal to create the stage for Shakespeare’s personal tragedy.

While Google forges ahead with unlocking the potential of its Willow quantum computing chip, cybersecurity experts warn that further breakthroughs in the field could catch a digital ecosystem built on crypto security off guard. Adrian Pennington reports.

Scenes structured like Russian nesting dolls present Editor Paul Machliss with a challenge in completing this deadly reality TV show.

Netflix raids Hollywood to land a giant of old media, but having offered billions over the odds for ageing IP, would a smarter play have involved the creator economy?

The festival of cinematography remains political with the rise of AI and gender equality bubbling beneath the surface.

TNT Sports takes a hybrid approach as England’s cricket team heads down under with a sporting chance of returning with a little urn. Adrian Pennington reports.

As XR devices become more accessible and 6G wireless systems emerge, we’ll move from simply watching video to stepping inside it.

Cinematographer Dan Laustsen tells IBC365 why he and Guillermo del Toro turned the classic nightmare, Frankenstein, into a love story of ice and warmth between father and son.

From casting his own dog as the lead to shooting at a dog’s eye level, first-time Feature Director Ben Leonberg has perfected a filmmaking process built entirely around a pet. The result? Critical acclaim and a viral smash for horror season. 

The first AI-created adverts are coming to TV as broadcasters look to compete with social media. ITV and Channel 4 explain why they are now scaling up.