Behind the scenes: The Only Living Pickpocket in New York
Cinematographer Sam Levy crafts a modern noir rooted in the city’s streets and subway.
Adrian Pennington is a journalist, editor and commentator in the film and TV production space. He has produced and chaired conference sessions, co-written a book on stereoscopic 3D, edited several publications and is copywriter of marketing materials for the industry.
Cinematographer Sam Levy crafts a modern noir rooted in the city’s streets and subway.
With audiences expecting instant global information, and broadcasters competing against social platforms that deliver clips within seconds, the race is on to deliver ultra-low latency (ULL) as a competitive edge.
To embrace the stark, crystalline reality of the Arctic, Blazing Griffin’s Gareth Bishop leveraged colour compression techniques, LED volumes, and plates captured on an archipelago in the Arctic Ocean.
AI was largely sidelined at the annual RTS gathering where the fate of public service media took precedence. Adrian Pennington reports.
The creator economy is no longer a sideshow in Free Ad-Supported Streaming TV (FAST) but a core channel segment with platforms actively competing for content.
On Air, the global student‑run broadcast initiative, is scaling up in its second year.
The Los Angeles 2028 Olympic Games are set to become the largest broadcast operation ever attempted.
A feasibility study, revealed for the first time at IBC, confirmed that a pan-European cloud ecosystem is achievable – if broadcasters can overcome several organisational, financial, and regulatory hurdles.
CNN is fusing AI into the backbone of its operations to give the 46‑year‑old cable network the legs to thrive for another five decades.
With the spend on advertising dollars reaching fewer people brands are turning to branded entertainment and other content creation channels.