Making sure there is a clearly defined set of user needs is fundamental to the start of every new phase in the ongoing AMWA NMOS project, writes David Davies.
It has – to put it mildly – been an extremely eventful decade for IP-based media. The migration from SDI and other legacy formats was, at least initially, slow and rather fragmented. But with the publication of the first standards in the SMPTE ST 2110 suite in 2017, the trend really started to achieve traction – first in broadcast, then in related markets such as pro- and enterprise AV.
But although ST 2110 provided many pieces of the IP networking puzzle, it soon became clear that there were ongoing challenges around network discovery, registration and connection management. Simply put, every component put onto a network needed to be immediately recognised and its streams easily connected to other devices. Without a clear roadmap to address these apparent ‘gaps’, there was a real danger that IP media would fail to realise its potential...
You are not signed in
Only registered users can read the rest of this article.
Content Everywhere: Accelerators for change
Content Everywhere companies are already in planning mode for this year’s IBC. Some will also have been working on, or at least taking note of, projects included in the event’s Accelerator programme.
Why media networks are being rewired for the speed of light
The elimination of OB trucks is just the start of the light revolution. For the media industry, a rewiring of the transport network from electrons to photons promises to unlock AI driven production, immersive formats, and globalised workflows while dramatically cutting energy consumption.
Q-Stream Alpha: Prioritising trust when the network can’t be trusted
As the industry navigates a storm of content authenticity threats, the Q-Stream Alpha: The "Tactical Truth" Pipeline Accelerator seeks to deploy AI, ML, and post-quantum encryption to apply C2PA principles within live workflows.
KICK: Writing the rules of high-altitude immersive production
From camera placement and viewer comfort to movement, pacing and post-production, the French Alps-set KICK provided Altitude101 with a unique opportunity to test, challenge and refine the methods shaping its immersive storytelling.
Sheffield DocFest: “We need to be more weird”
Funding remains a puzzle, but the documentary and factual entertainment genres are thriving at Sheffield Documentary Festival.



