As brands, corporates, and creators claim their stake in the content landscape, the boundaries between broadcast and professional AV are dissolving. No longer just a convergence, the broadcast AV landscape is now shaped by new economies of creation, experience, and streaming.
The statistics are striking. Nielsen’s Gauge data shows YouTube has held the dominant share of living room TV viewing in the US every month since February 2025. For an industry that has spent decades defining itself by control over distribution channels and premium production values, it’s a sobering indicator of how profoundly the content landscape has changed.
"Broadcasters and rights holders absolutely continue to hold their place for delivering the highest quality visual experiences," explains Chris Evans, Head of Knowledge and Insight at IABM. "But they need to recognise that...
You are not signed in
Only registered users can read the rest of this article.
Sheffield Documentary Festival: “We need to be more weird”
Funding remains a puzzle, but the documentary and factual entertainment genres are thriving at Sheffield Documentary Festival.
Jeff Ulin: “The remote? So old school”
Following the release of the fourth edition of his book The Business of Media Distribution, Jeff Ulin looks back on his 25-year journey through the industry – and ahead to the world of AI.
FIFA World Cup: A cyber criminal’s cash cow
Alongside financially motivated cybercrime, politically motivated hacktivists are also likely to target organisations linked to the tournament through distributed denial-of-service attacks, website defacements, and disinformation campaigns.
AI and sports piracy: “It's whack-a-mole, except now the mole is running an algorithm”
Illegal sports streams in Britain have more than doubled to 3.6bn in the past three years, according to a recent report from the Campaign for Fairer Gambling. But is there any correlation between the increase in piracy and advances in tech? Is AI more effective as the sword or the shield? Anna Tobin reports.
From screens to spaces: The rise of immersive experiences in live events
From AR-powered sports coverage to immersive theatre and AI-driven fan engagement, broadcasters, organisers, and rights holders are rethinking how live experiences are created and extended beyond the event itself.


