Boom Radio, which launched last month, is thought to be the first UK station without a central studio facility. Kevin Hilton found out how the presenters are broadcasting entirely from home.
A name often says a lot about something. Boom Radio, which went on air in the UK on 14th February, is a new music and talk station for Baby Boomers (people born between 1946 and 1963/64). What the name doesn’t say - but the presenters do - is that it is being broadcast from the DJs’ homes, not a traditional studio centre.
While broadcasting from home is not new - it dates back to the 1970s and became easier during the 90s thanks to connection technologies such as ISDN (Integrated Services Digital Network) - the coronavirus crisis has made it a necessity rather than an option. Boom Radio has taken the idea further to become what is believed to be the first national UK radio station without a central studios building.
On air the station is targeting the 60+ audience, which founders Phil Riley - a radio executive (Chrysalis Radio and Orion Media) - and David Lloyd, who has worked variously as a...
You are not signed in
Only registered users can read the rest of this article.
KICK: Writing the rules of high-altitude immersive production
From camera placement and viewer comfort to movement, pacing and post-production, the French Alps-set KICK provided Altitude101 with a unique opportunity to test, challenge and refine the methods shaping its immersive storytelling.
.jpg)
Sheffield DocFest: “We need to be more weird”
Funding remains a puzzle, but the documentary and factual entertainment genres are thriving at Sheffield Documentary Festival.
FIFA World Cup: A cyber criminal’s cash cow
Alongside financially motivated cybercrime, politically motivated hacktivists are also likely to target organisations linked to the tournament through distributed denial-of-service attacks, website defacements, and disinformation campaigns.
AI and sports piracy: “It's whack-a-mole, except now the mole is running an algorithm”
Illegal sports streams in Britain have more than doubled to 3.6bn in the past three years, according to a recent report from the Campaign for Fairer Gambling. But is there any correlation between the increase in piracy and advances in tech? Is AI more effective as the sword or the shield? Anna Tobin reports.
From screens to spaces: The rise of immersive experiences in live events
From AR-powered sports coverage to immersive theatre and AI-driven fan engagement, broadcasters, organisers, and rights holders are rethinking how live experiences are created and extended beyond the event itself.
.jpeg)
