The annoyance of fluctuating sound levels on TV was part of the viewing experience for decades, but a concerted effort by standards bodies had made those difficulties a thing of the past. Now, old problems have begun to resurface in the new OTT landscape.
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Celebrating its 40th anniversary, Live Aid made an impact in the summer of 1985 that continues to be felt today. Kevin Hilton explores the background to the seminal charity concert and hears from those who made the broadcast happen.
Esports production shares many qualities with live sports, but sound engineering is a whole new game. IBC365 explores the complexities of controlling who hears what in a crucible of noise.
As part of its celebrations for the 60th anniversary of Doctor Who, the BBC commissioned a feature-length version of one of the most important stories in the show’s history, in full colour with a Dolby Atmos soundtrack. Kevin Hilton talks to the sound designer and colourisation artists who worked on The Daleks in Colour.
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Digital terrestrial television (DTT) received a vote of confidence in its continued resistance against the growing dominance of streaming at the end of last year when its primary place in the UHF spectrum was secured for the foreseeable future.
Boom Radio, which launched last month, is thought to be the first UK station without a central studio facility. Kevin Hilton found out how the presenters are broadcasting entirely from home.
