Artist Brendan Dawes talks to IBC365 about his new documentary Eno and the invention of a generative ‘Brain’ that produces a unique version every time it’s watched.
Eno, the new documentary about fabled musician Brian Eno, is suitably avant-garde because no audience will see the same version of the film twice – thanks to AI. It is unlikely to be the last feature film to be presented in this fashion with major streaming platforms and directors keen on using the patented underlying software, according to its co-creator the British artist Brendan Dawes.
“We’ve had discussions with big film studios and big-name directors as well as documentary makers to imagine doing things in a different way,” he says. “An advertising company was also interested in making thousands of versions of a normal commercial.”...
You are not signed in
Only registered users can read the rest of this article.
FutureTech 2026: “Align on innovation, and it accelerates”
From imaginative politics and shifting approaches to innovation to adaptable governance of technology, no topic was off the table at this year’s DTG’s FutureTech. George Jarrett reports.
Creator economy comes to enterprise: What does broadcast AV really mean today?
As video becomes a core enterprise capability, broadcast AV is being redefined. It’s less about better hardware and more about network-native, production-grade media systems that can scale, are interoperable and operate reliably inside modern IT environments.
Age diversity: What to do about an age-old problem?
In the era of the 100-year life, is it time for the M&E industry to revisit its relationship with age diversity? As mid-career challenges and skills shortages intensify, IBC365 investigates the professionals striving to give more, over longer periods of time.
MovieLabs: Creating an industry-aligned vision for the future of media creation
How MovieLabs is building on two decades of development in film and television to help guide the future of media creation.
CES 2026: “The ChatGPT moment for physical AI is nearly here”
Passive language-based text-to-video models are so last year. From the enterprise to the home to the creative suite, the future is multi-modal AI capable of massive three-dimensional world building and physical interaction.
