The Cannes Palme d’Or-winning critique of Iran’s police state was made in secret as an act of defiance. IBC365 sits down with the film’s Editor Amir Etminan to learn more about the fearless filmmakers’ process.
Criticising the Iranian state in Iran risks intimidation, imprisonment, or worse, but filmmakers continue to defy censorship. The latest to achieve recognition is the Palme d'Or-winning drama It Was Just an Accident...
You are not signed in
Only registered users can read the rest of this article.

Behind the scenes: The Lost Bus
Editor William Goldenberg and Director Paul Greengrass elaborate on the plot of The Lost Bus, a white-knuckle ride disaster movie with a burning environmental message.

Behind the scenes: Bulk
For Ben Wheatley’s experimental, low-budget ‘midnight movie’, DoP Nick Gillespie incorporated a mix of formats, DIY effects, and back projection techniques to evoke classic cinema.

Behind the scenes: Nobody 2
Cinematographer Callan Green breaks down the colourful visual aesthetic of the action-comedy sequel Nobody 2.

Behind the scenes – Bookish: “We murder very well”
It seems unlikely that Mark Gatiss would ever get angry but mention ‘cosy crime’ and the Sherlock creator exhibits mild exasperation.

Behind the scenes – F1: The Movie
F1: The Movie gives the sensation of racing at 200mph from a driver’s eye view thanks to two sets of new cameras custom-engineered for the film.