EIT Culture & Creativity: “Too often, Europe generates the ideas, while others capture the economic value”

As questions over the commercial viability of VR abound, the Château de Versailles seems to have cracked the code. Entwining future and history, the cultural landmark is hosting an immersive experience that brings together UX, game mechanics, spatial interaction, and live on-site operations for 10 million visitors a year.

One week into his newly created role as Director of AI Culture and Gaming at the British Forces Broadcasting Service (BFBS), Adam Waters sits down with IBC365 to reveal his plans to take the organisation into the next era of broadcasting.

Following the release of the fourth edition of his book The Business of Media Distribution, Jeff Ulin looks back on his 25-year journey through the industry – and ahead to the world of AI.

Fresh off a 10-year contract renewal with the UK’s Ministry of Defence (MOD), Ben Chapman, CEO of BFBS, divulges how the organisation is revamping its media services to the world’s most remote locations and reveals an exclusive on the forthcoming appointment of a Director of AI Culture and Gaming.

The French Director and Actor has ditched CGI for AI in his next film, saying AI is part of the creative dialogue.