How do audio engineers develop an expertise in surround mixing and what are the elements that characterise a great immersive mix? David Davies speaks with the best ears in the business to discover more.
Along with 4K and HDR, the rise of immersive audio – led by Dolby Atmos and MPEG-H – has been one of the defining production technology stories of the past decade. From cinema releases and streaming series mixed in Dolby Atmos, to installations and live events being enhanced with different configurations delivered in multiple formats, audio is an increasingly immersive endeavour across application types.
Identifying a tipping point for a technology is not always easy, but in this case, one can pinpoint the mass availability of immersive audio music, via sites such as Apple Music and Tidal, as an important moment. But despite the increasing footprint of surround music in both professional and consumer domains, it’s arguable that – in relative terms – immersive audio mixing is still in its infancy as regards ‘standard practices’ and a commonly-shared notion of what constitutes a ‘great immersive mix’...
You are not signed in
Only registered users can read the rest of this article.
MWC 2026: Telcos confront the hard economics of 5G
With global 5G coverage now surpassing 50% of the world’s population, but consumer willingness to pay barely shifting, operators at MWC argued that the next chapter must be defined by utilisation.
Kickstart Day 2026: Latest PoCs and partnerships promise most exciting year yet
More than 200 industry leaders gathered at BBC Broadcasting House for the 2026 IBC Accelerators Kickstart Day, that took place on 25 February.
MIP London: “A lot of creators feel held hostage by algorithms”
Digital creators, television producers, platforms, distributors, buyers, and brands across all genres gathered at the IET and Savoy Hotel this week to attend the second-ever iteration of MIP in London.
Sundance: Representation matters, today more than ever
As minority communities face attack in the US, two new films screened at Sundance Film Festival offer powerful takes on Latino American and Chicano culture.
IBC Content Everywhere: Keeping the customer
Consumers have a lot of choices these days when it comes to streaming video content. Indeed, the sheer number of available services can seem overwhelming, leaving customers with often difficult decisions to make about which services to choose, especially when they already have several other demands on their wallets. In this piece, Content Everywhere companies explore what streaming providers can and should be doing to retain existing customers and attract new ones where possible.
