Behind the Scenes: How sound and vision get under the skin in Nickel Boys

It seems unlikely that Mark Gatiss would ever get angry but mention ‘cosy crime’ and the Sherlock creator exhibits mild exasperation.

F1: The Movie gives the sensation of racing at 200mph from a driver’s eye view thanks to two sets of new cameras custom-engineered for the film.

Celebrating its 40th anniversary, Live Aid made an impact in the summer of 1985 that continues to be felt today. Kevin Hilton explores the background to the seminal charity concert and hears from those who made the broadcast happen.

Remote production takes centre stage as Sky teams up with Stan Sport to deliver UHD footage at the heart of the action.

The VFX blockbuster opts for an old school production by shooting extensively on location and on film.