Inclusion begins in the writers’ room
Luke Seraphin, Head of Diversity & Inclusion, Sky Original Programming tells IBC365 that meaningful change is happening but full inclusivity is work in progress.
Adrian Pennington is a journalist, editor and commentator in the film and TV production space. He has produced and chaired conference sessions, co-written a book on stereoscopic 3D, edited several publications and is copywriter of marketing materials for the industry.
Luke Seraphin, Head of Diversity & Inclusion, Sky Original Programming tells IBC365 that meaningful change is happening but full inclusivity is work in progress.
NAB will witness an industry convulsing with the ‘everything everywhere’ of AI, the emergence of spatial entertainment, the parallel social ‘Creator Economy’ and attempt to explain blockchain. Disruption is the name of the game.
With more TV viewers second screening, it’s no surprise that shoppable ads are a huge area of development and interest, writes Adrian Pennington.
Oscar-winning Sound Designer Johnnie Burn on why being a runner is still the best route to success and how he creates the unsettling unorthodox worlds for Yorgos Lanthimos, Jordan Peele and Jonathan Glazer.
Award-winning Cinematographer David Luther had to draw on all his experience to help create a convincing backdrop for this dystopian short-story adaption. Adrian Pennington reports.
Masters of the Air takes place over the skies of Nazi-occupied Europe and at the very least doesn’t flinch from the horrific conditions faced by men in metal tubes flying five miles above ground, writes Adrian Pennington.
The highly-anticipated sequel to the epic Dune: Part One had the challenge of communicating the deeper narrative of the original novels all the while creating a standalone film, reports Adrian Pennington.
Oblique and powerful takes on the Second World War dominate at the Oscars, reports Adrian Pennington.
AI was the buzz at Mobile World Congress 2024, but making a return on their 5G investment was at the forefront of operators’ minds. Adrian Pennington reports.
The experience of cinematographer Pierre Gill on Disney series ‘Percy Jackson’ showed that lighting for an extensive shoot in a Volume is still work in progress, writes Adrian Pennington.