The combination of Unreal Engine and LED volume stages has taken virtual production to another level, but have skillsets kept pace? IBC365 learns more about the UK’s first dedicated certificate in virtual production.
The use of CGI in film and television production has moved from being a long, slow process undertaken in the postproduction stage involving shooting in greenscreen studios and actors emoting to a ‘tennis ball on a stick’ to an interactive environment that allows performers, directors, and cinematographers to see and move through computer generated environments in real-time. Alan Thorn, a video games industry veteran runs the Virtual Production Course at the National Film and Television School (NFTS) in the UK. The course offers the industry’s first dedicated certificate in Virtual Production.
Virtual production (VP) merges real-time CGI with traditional filmmaking techniques using giant LED walls and systems originally designed for use in video games such as Unreal Engine, to create immersive environments that seamlessly blend the physical and digital worlds. As Thorn explains, the industry is in need of professionals who can navigate this complex, hybrid landscape...
You are not signed in
Only registered users can read the rest of this article.
Jen Smith, CIISA: "Bullying, harassment, and discrimination are what stifle creativity"
Jen Smith, CEO of CIISA, details how her vision for the future will stem the M&E industry’s £1.8bn annual losses in productivity by rooting out harassment across all levels of the business’s uniquely fragmented structure.
Touch the future: Immersive video will soon make its presence felt
As XR devices become more accessible and 6G wireless systems emerge, we’ll move from simply watching video to stepping inside it.
Securing the media supply chain: Protecting trust from lens to cloud
Today’s rapidly evolving media production technologies have enabled a new wave of creative workflows. With them comes a tsunami of corresponding infrastructure vulnerabilities.
From broadcast to braincast: A new frontier for AI-powered advertising
From neural interfaces to adaptive AR, brands may soon be capable of delivering messages that respond to real-time brain activity – creating powerful opportunities for engagement, but also raising critical questions about ethics, privacy, and trust. David Howell reports.
Can genAI unlock ad revenue for cash-strapped broadcasters?
The first AI-created adverts are coming to TV as broadcasters look to compete with social media. ITV and Channel 4 explain why they are now scaling up.

.jpg)
.jpg)