This year’s report to end all reports on sustainability in production dissects industry data, finds the root causes and predicts a path to NetZero. albert, the BAFTA-owned sustainability organisation’s Annual Review 2022, proves the industry’s commitment and identifies the key hurdles to be overcome in the move towards a more sustainable future.
While all industries have been called upon to tackle climate change and reach NetZero by 2050, albert ensures that the production sector does not fall far behind.
This year’s report saw the highest level of engagement albert has ever seen, as 2,404 film and TV productions submitted carbon footprints to albert for review, and 1,933 albert certificates were awarded...
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AI and the evolution of MAM: Part three – future outlook
In the final part of our investigation into MAM’s current and future relationship with AI, James McKeown analyses where the technology is likely to take asset management capabilities next, and the other factors driving the evolution of the space.
RSIFF: Kingdom underlines ambitions to become filmmaking powerhouse
Saudi Arabia's cinema market is experiencing a cultural renaissance, driven by increasing local productions and a growing appetite for diverse storytelling, reports Adrian Pennington from the Red Sea International Film Festival.
AI and the evolution of MAM: Part two – current applications
In part two of IBC365’s exploration of the MAM ecosystem, James McKeown finds out where AI is currently having the most positive impact on media workflows.
AI and the evolution of MAM: Part one – risk analysis
Forms of AI and automation have been making efficiencies in media asset management (MAM) systems for some time, but as the technology becomes more powerful and its potential applications more expansive, what are the major considerations and risks of AI’s role in MAM? James McKeown explores in the first of a three-part investigation.
The Rory Peck Awards 2024: Protecting freedom of expression and democracy
Channel 4 recognised as most successful commissioner with multiple finalists in three out of four categories, including two from Katie Arnold in the same category. For the first time, winning entries across all four categories focus on one story, Gaza.
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