Films shot on film, fake AI controversy, a collection of CG apes, and a trio of nods to Robbie Williams make the list of nominees for Cinematography, Editing and VFX Academy Awards.
Robbie Williams has his paw prints all over the Oscars. In Netflix’s 13-times nominated genre-bending musical drama, Emilia Pérez, his 2013 song ‘Swing Supreme’ plays at a dinner party scene in London that marks a crucial turning point in the characters' lives.
The credits roll and the needle drops on Williams' former band Take That’s ‘Greatest Day’ while the camera tracks down a lineup of fishnet-clad dancers at the start of six-times nominated Anora.
And, of course, in Better Man, Williams thumbs his nose at the establishment in a biopic which receives a single Oscar nod for the VFX rendition of the pop minstrel as a chimp.
Three of the five nominations for Cinematography are shot on old-school celluloid keeping up the astonishing hit ratio of awards-nominated movies shot on film, which is around 5% of all films shot every year.
AI also features this year ...
You are not signed in
Only registered users can read the rest of this article.

Precision in post: Stem separation and spectral editing
The combination of manual and AI-supported stem separation and spectral editing now provides audio engineers with unprecedented levels of precision and flexibility in modern post-production. John Maxwell Hobbs reports.
.jpg)
IBC Accelerators: Stamping Your Content (C2PA Provenance)
The Stamping Your Content (C2PA Provenance) project aims to provide open-source tools to enable media organisations and media consumers to verify the authenticity of content of all types.
.png)
Video replicants and the drive for ethical LLMs
Image generators such as Veo 3 can now convincingly simulate human emotions, interactions and voice but the speed of development leaves production companies crying out for ethical LLMs.

Is ORS and Insys’ Big Blue Moonshot a Sign of Service Provision to Come?
Big Blue Marble is a new joint venture between ORS Group and Insys Video Technologies, whose mission is to ‘create a connected world where accessing media is simple, secure, and inclusive for all’. At a time when global demand for digital video is on the rise and broadcasters seek new ways to diversify their revenue streams, does such a proposition meet the moment? James McKeown finds out.

Esports World Cup plans biggest video game tournament ever staged
Returning to Riyadh this month for its second outing, the Esports World Cup is being billed as the most ambitious and technologically advanced global competitive event in history.