Opposing colours in the same frame, 6000 lightning cues and shooting 17 sound stages - one the size of four American football fields, all merit why Wicked is the ‘latest hurrah to the golden days of epic studio filmmaking,’ writes Adrian Pennington.
You are not signed in
Only registered users can read the rest of this article.
.jpeg)
How Sky Sports is delivering the Lions Tour down under
Remote production takes centre stage as Sky teams up with Stan Sport to deliver UHD footage at the heart of the action.
.jpg)
Behind the Scenes: Jurassic World Rebirth
The VFX blockbuster opts for an old school production by shooting extensively on location and on film.
BBC goes hybrid for coverage of UEFA Women’s Euros
A hybrid remote and on-site production with Sunset+Vine, editorial about alpine bees and a deluxe Swiss chalet on the banks of Lake Lucerne. The BBC is ready for the Lionesses to defend their trophy.

BTS: Tour de France 2025
How wind tunnel data, official route topography, multi-screen live feeds and 21 daily outside broadcasts combine to bring the most brutally mountainous Tour De France ever to cycling fans on their sofa.

Behind the scenes: Dept. Q
Netflix's latest police procedural is a love letter to hardboiled noir and classic British TV crime drama, says showrunner Scott Frank.