Paul Cameron is a distinguished cinematographer who is now making a move into the director’s chair. IBC365 spoke to him about his latest project, Special Ops: Lioness, a military drama for showrunner Taylor Sheridan.
As cinematographer, Paul Cameron ASC, has helped lay the template for the look of modern action films. Collaborations with accomplished directors include: Tony Scott (Man on Fire, Déjà Vu), Len Wiseman (Total Recall), and Dominic Sena (Swordfish, Gone in Sixty Seconds) among others. His cinematography for director Michael Mann’s Collateral (2004) was one of the first major studio films to embrace digital cinematography.
Now he has moved into the director’s chair, helming two episodes of Special Ops: Lioness, the latest series from acclaimed writer/showrunner Taylor Sheridan, starring Zoe Saldana, Nicole Kidman, Michael Kelly and Morgan Freeman.
“After shooting a lot of movies with A list talent I am used to being around high-end actors and functioning in a high-end way,” Cameron told IBC365. “On some films where I’ve been a DP there’s often been more communication between myself and the actors then they had with the director. So, I feel comfortable speaking with actors about performance.”
He said he learned about...
You are not signed in
Only registered users can read the rest of this article.

Behind the scenes: It Was Just an Accident
The Cannes Palme d’Or-winning critique of Iran’s police state was made in secret as an act of defiance. IBC365 sits down with the film’s Editor Amir Etminan to learn more about the fearless filmmakers’ process.

Behind the scenes: The Lost Bus
Editor William Goldenberg and Director Paul Greengrass elaborate on the plot of The Lost Bus, a white-knuckle ride disaster movie with a burning environmental message.

Behind the scenes: Bulk
For Ben Wheatley’s experimental, low-budget ‘midnight movie’, DoP Nick Gillespie incorporated a mix of formats, DIY effects, and back projection techniques to evoke classic cinema.

Behind the scenes: Nobody 2
Cinematographer Callan Green breaks down the colourful visual aesthetic of the action-comedy sequel Nobody 2.

Behind the scenes – Bookish: “We murder very well”
It seems unlikely that Mark Gatiss would ever get angry but mention ‘cosy crime’ and the Sherlock creator exhibits mild exasperation.