Cinematographer Dan Laustsen tells IBC365 why he and Guillermo del Toro turned the classic nightmare, Frankenstein, into a love story of ice and warmth between father and son.
Having spent decades contemplating his vision, Guillermo del Toro had a fully conceived approach to his magisterial screen version of Frankenstein, which would test the capabilities of every single aspect of film craft. There would be giant sets, huge props, and a complex wardrobe...
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Behind the scenes: Good Boy
From casting his own dog as the lead to shooting at a dog’s eye level, first-time Feature Director Ben Leonberg has perfected a filmmaking process built entirely around a pet. The result? Critical acclaim and a viral smash for horror season.
Behind the scenes: A House of Dynamite
Filmmaker Barry Ackroyd reveals how his camera work takes audiences inside the command bunker and gives them no control over the final countdown to nuclear Armageddon.
Behind the scenes: Train Dreams
Editor Parker Laramie explains how frontier drama Train Dreams walks the line between naturalism and magical realism.
Behind the scenes: It Was Just an Accident
The Cannes Palme d’Or-winning critique of Iran’s police state was made in secret as an act of defiance. IBC365 sits down with the film’s Editor Amir Etminan to learn more about the fearless filmmakers’ process.
Behind the scenes: The Lost Bus
Editor William Goldenberg and Director Paul Greengrass elaborate on the plot of The Lost Bus, a white-knuckle ride disaster movie with a burning environmental message.
