For a machine-tooled $290 million stunt-fuelled blockbuster it comes as a surprise to learn that the latest Mission: Impossible instalment was made with improvisation and experimentation at its core, reports Adrian Pennington.
Director Christopher McQuarrie may not quite be working with improv to the degree of a Shane Meadows or Mike Leigh but there are similarities to their indie drama in his method.
“No-one gets a script,” said the film’s editor Eddie Hamilton ACE, who cut the last two MI films, Rogue Nation and Fallout, as well as Top Gun: Maverick). “Instead, every head of department gets a sense of the type of sequences that are going to happen.
“Chris [aka McQ] and Tom have been having creative discussions for a decade about things they would like to see in the next MI movie. They will build the story around...
You are not signed in
Only registered users can read the rest of this article.
.jpg)
Behind the Scenes: Jurassic World Rebirth
The VFX blockbuster opts for an old school production by shooting extensively on location and on film.
BBC goes hybrid for coverage of UEFA Women’s Euros
A hybrid remote and on-site production with Sunset+Vine, editorial about alpine bees and a deluxe Swiss chalet on the banks of Lake Lucerne. The BBC is ready for the Lionesses to defend their trophy.
BTS: Tour de France 2025
How wind tunnel data, official route topography, multi-screen live feeds and 21 daily outside broadcasts combine to bring the most brutally mountainous Tour De France ever to cycling fans on their sofa.
Behind the scenes: Dept. Q
Netflix's latest police procedural is a love letter to hardboiled noir and classic British TV crime drama, says showrunner Scott Frank.
.jpg)
Behind the scenes: How to Train Your Dragon
This remake of a classic animation works from Roger Deakins’ original lighting design, a colour palette plucked from the Faroe Islands, and puppeteered dragons, explains DoP Bill Pope.
