Netflix's latest police procedural is a love letter to hardboiled noir and classic British TV crime drama, says showrunner Scott Frank.
The Hollywood scriptwriter behind Minority Report, Get Shorty, Logan and The Queen’s Gambit says his happy place is British TV crime drama – and now he has created such a show of his own. New Netflix series Dept. Q is as rain-sodden, dour and shot through with grim humour as UK audiences expect of their detective mysteries...
You are not signed in
Only registered users can read the rest of this article.
.jpeg)
How Sky Sports is delivering the Lions Tour down under
Remote production takes centre stage as Sky teams up with Stan Sport to deliver UHD footage at the heart of the action.
.jpg)
Behind the Scenes: Jurassic World Rebirth
The VFX blockbuster opts for an old school production by shooting extensively on location and on film.
BBC goes hybrid for coverage of UEFA Women’s Euros
A hybrid remote and on-site production with Sunset+Vine, editorial about alpine bees and a deluxe Swiss chalet on the banks of Lake Lucerne. The BBC is ready for the Lionesses to defend their trophy.
BTS: Tour de France 2025
How wind tunnel data, official route topography, multi-screen live feeds and 21 daily outside broadcasts combine to bring the most brutally mountainous Tour De France ever to cycling fans on their sofa.
.jpg)
Behind the scenes: How to Train Your Dragon
This remake of a classic animation works from Roger Deakins’ original lighting design, a colour palette plucked from the Faroe Islands, and puppeteered dragons, explains DoP Bill Pope.
.jpg)
