Netflix's latest police procedural is a love letter to hardboiled noir and classic British TV crime drama, says showrunner Scott Frank.
The Hollywood scriptwriter behind Minority Report, Get Shorty, Logan and The Queen’s Gambit says his happy place is British TV crime drama – and now he has created such a show of his own. New Netflix series Dept. Q is as rain-sodden, dour and shot through with grim humour as UK audiences expect of their detective mysteries...
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Behind the scenes: How to Train Your Dragon
This remake of a classic animation works from Roger Deakins’ original lighting design, a colour palette plucked from the Faroe Islands, and puppeteered dragons, explains DoP Bill Pope.
Behind the scenes: Andor
“We’re not writing to the headlines, but you see this sort of conflict and empire building happen over and over again in history”, says John Gilroy, lead editor and executive producer of Star Wars spy thriller Andor.
Behind the scenes: Sinners
Shooting large format IMAX and designing a surreal montage resonated with the film's themes of spiritual ancestry and musical legacy.
Behind the scenes: 1992 and the colourist of Seville
Netflix series 1992 presents a chilling depiction of Seville during the 1992 World’s Fair, where heavy contrasts of light, dark, and a muted colour palette set a gothic atmospheric tone for this suspenseful thriller.
Behind the scenes: Warfare
Extended takes, 360-degree sets, and military authenticity reinforce the fog of war recreated from the memories of real life US soldiers.
