EBU unveils nominees for Technology and Innovation Awards 2026

The European Broadcasting Union (EBU) has unveiled the nominees for its annual EBU Technology and Innovation (T&I) Awards 2026.

The winners of the 13 nominees will be announced during the EBU T&I Summit in Barcelona on 18 June 2026.

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EBU Technology & Innovation Award

UK broadcaster ITV has secured four nominations for innovations that ranged from AI to sustainable production.

Many of the nominees' work focuses on AI through to live production, virtual production, cloud platforms, and content management.

Full list of EBU T&I Award nominees 2026:

ORF Content Management Center

ORF, Austria • Markus Korhammer

ORF was recognised for a full SMPTE ST 2110 transformation of its broadcast operations, uniting radio, television, and streaming signal routing across two high-availability zones, with new master control, playout, and multifunctional production spaces. It used one-third of the previous rack space.

Dynamic streaming for the Olympic and Paralympic Games

CBC/Radio-Canada • Félix Poulin

CBC/Radio-Canada completed a real-world deployment of the EBU Dynamic Media Facility Reference Architecture, letting a single operator augment Olympic Broadcast Services (OBS) streams from a laptop. Over 140 hours of coverage reached peaks of nearly 500,000 viewers on CBC’s OTT platform.

Alix: a converged IT-media cloud platform

France Télévisions • Heikel Manai

France Télévisions’ multi-cloud, open-source platform brought together IT and media workflows onto a single Kubernetes foundation, with modules for subtitling, transcription, media processing, and AI inference. The sovereign and vendor-neutral system was built to support dynamic media facility (DMF) deployments.

medIAenrich: AI-driven editorial metadata at scale

France Télévisions • Romuald Rat

France Télévisions also built an AI platform with Télécom SudParis that segments programmes into editorial sequences and combines visual, audio, and contextual analysis to generate broadcast-grade metadata at a fraction of commercial costs. It’s free of licence fees for EBU Members.

ARD Sounds: the play button for your day

ARD, Germany • Lukas Krohn-Grimberghe and Stefan Köhler

ARD Sounds is a unified digital audio platform that brings podcasts, live radio, and event streams from across ARD’s regional broadcasters into a single user-centric app, with intelligent recommendations and curated collections that are aimed at younger, digitally native audiences.

Fehler im System: live multi-camera virtual production

SWR, Germany • Philipp Jacobs

SWR’s Fehler im System is a workflow that supports live switching between multiple tracked cameras on a single LED volume, overcoming the single-camera limit of traditional virtual production. It has been proven on a multi-hour role-playing game streamed live on Twitch.

A framework for generative AI

Rai, Italy • Mariangela Borneo, Roberto Iacoviello, and Alberto Ciprian

An IBC Accelerator project led by Rai with VRT, YLE, EBU, Globo, ITV, and partners delivered a modular framework that standardises prompts and metadata across text, image, audio, and video tools. It was validated through the photorealistic trailer “Echoes of Rome”.

Neo: software-defined live production at Olympic scale

SVT, Sweden • Frida Thelin

SVT’s fully software-based production platform, which runs on standard IT hardware, was used to deliver 10 parallel production environments and OTT channels at the 2026 Winter Olympics. This came to more than 800 hours and 150 sports productions in total.

Machine-learning-assisted MCR audio monitoring

BBC, UK • Paul McGrath

The BBC trained a model to recognise what BBC Radio 5 Live should sound like, and alert when distortion appears that conventional equipment treats as valid audio. Running on a Raspberry Pi, the model demonstrated that application-specific machine learning needs neither LLMs nor server racks.

Sustainable production with solar and battery power

ITV, UK • Clive Santamaria

ITV’s hybrid power systems used second-life EV batteries and solar power, deployed on shoots including I’m a Celebrity and Nobody’s Fool, to cut fuel consumption by up to 60%. The team is open-sourcing its learnings as a blueprint for the wider industry.

Intelligent automation through commodity AI workflows

ITV, UK • Clive Santamaria

A self-service platform let teams across ITV build their own AI-powered automations. It did so by connecting everyday tools and systems, with no coding required. More than 2,000 hours of staff time were saved in the first six months.

AI agent Hub: governed multi-model access

ITV, UK • Clive Santamaria

ITV put together a single governed interface for switching between approved foundation models and building prompt-based assistants, with central routing, role-based access, audit logging, and provenance controls. Trial users reported time savings (70%) and quality gains (over 80%).

Qualitative Enricher: AI reasoning at scale for ITVX

ITV, UK • Clive Santamaria

An AI service generates qualitative metadata for ITVX – ranking the most recognisable cast members and describing mood and atmosphere – with a secondary AI scoring outputs and a daily budget cap. The system costs less than £10 a month to run.

The EBU recently called for an update to European legislation to address challenges from big tech and AI, focusing on protecting media visibility, ensuring fair competition, and preserving cultural diversity in the EU. Discover more here.

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