EPTVI: Developing a roadmap for programmatic TV in Europe
Ongoing technological, operational and commercial barriers mean the full potential of programmatic TV is yet to be unlocked, discovers David Davies.
Ongoing technological, operational and commercial barriers mean the full potential of programmatic TV is yet to be unlocked, discovers David Davies.
The democratisation of pro-grade production technology and access to high-quality streaming has prompted a massive step-change for the quality and impact of corporate media, writes David Davies.
Many of the latest AI-enhanced broadcast solutions focus on delivering efficiencies to different facets of sports and news production, writes David Davies.
As a long-term pacesetter for the use of new broadcast technology, it’s to be expected that the industry-wide skills gap is especially acute in live sports, writes David Davies.
The impression that broadcast audio is in the throes of an important transition – away from dedicated hardware towards virtualised systems that can support a huge variety of workflows and deliverables – is impossible to dismiss, writes David Davies.
A data-led approach was the starting point for an expansive new ‘Equity by Design’ strategy that seeks to advance inclusion and diversity both behind the camera and on-screen, writes David Davies.
Along with emphases on diversity and inclusion, an increasing number of broadcast technology innovators perceive sustainability as a fundamental aspect of progressive business development, writes David Davies.
Making sure there is a clearly defined set of user needs is fundamental to the start of every new phase in the ongoing AMWA NMOS project, writes David Davies.
How do audio engineers develop an expertise in surround mixing and what are the elements that characterise a great immersive mix? David Davies speaks with the best ears in the business to discover more.
Set in a fictional British town hit by devastating flooding, a timely new ITV1/ITVX mystery thriller generated some very specific challenges for the production crew, writes David Davies.