Channel 4’s Dispatches has introduced what it states is “Britain’s first” AI presenter as part of a program named Will AI Take My Job? Dispatches.
Airing on Monday 20 October at 8pm on Channel 4, the program Will AI Take My Job? Dispatches investigated how AI automation is reshaping the workplace, pitting humans against machines in a series of real-world tests across medicine, law, fashion, and music. However, in a twist at the end of the film, it’s revealed that the programme’s own presenter, who appears throughout reporting from different locations, was entirely AI-generated. According to the UK broadcaster, this was a deliberate on-screen stunt to show how convincing AI has become, and to highlight the speed at which the technology is developing.
In the program, the AI stated: “AI is going to touch everybody’s lives in the next few years. And for some, it will take their jobs. Call centre workers? Customer service agents? Maybe even TV presenters like me. Because I’m not real. In a British TV first, I’m an AI presenter. Some of you might have guessed: I don’t exist, I wasn’t on location reporting this story. My image and voice were generated using AI.”

The AI anchor was produced by AI fashion brand Seraphinne Vallora for Kalel Productions, using prompts to create a realistic digital human capable of delivering on-camera performances.
When announcing the film, Channel 4 stressed that the piece complies fully with its own internal editorial guidelines governing the ethical use of AI, including a commitment to transparency and disclosure to audiences when AI is used. Will AI Take My Job? Dispatches also revealed that nearly three-quarters of UK bosses have already introduced AI into tasks once carried out by humans.
Louisa Compton, Head of News and Current Affairs, Specialist Factual and Sport at Channel 4, said: “The use of an AI presenter is not something we will be making a habit of at Channel 4 – instead our focus in news and current affairs is on premium, fact checked, duly impartial, and trusted journalism – something AI is not capable of doing. But this stunt does serve as a useful reminder of just how disruptive AI has the potential to be – and how easy it is to hoodwink audiences with content they have no way of verifying."
Adam Vandermark, Commissioning Editor for News and Current Affairs at Channel 4 added: “Kalel Productions worked hard to make the reporter feel and appear as authentic as possible, but of course AI couldn’t do the work of an investigative journalist. Or could it? It’s far too early to tell, but it’s certainly a revelation to see this imaginary presenter front a Dispatches in such a clever and realistic way”.
Nick Parnes, CEO of Kalel Productions, commented: "This is another risky, yet compelling, project for Kalel. It's been nail-biting to create the AI presenter in time. Ironically, it gets even more economical to go with an AI presenter over a human, weekly. And as the generative AI tech keeps bettering itself, the presenter gets more and more convincing, daily. That's good for our film, but maybe not so good for people's careers."
Eline van der Velden, Founder and CEO of London-based AI production company Particle6, recently launched Xicoia, which was billed as the world’s first AI talent studio designed to create, manage, and monetise digital stars. Discover more here.

Paramount Skydance expected to announce redundancies next week
Paramount Skydance will reportedly announce approximately 2,000 job cuts in the US next week, with additional layoffs internationally, according to reports.

Warner Bros. Discovery to revamp TLC as free-to-air channel in UK and Ireland
Warner Bros. Discovery has unveiled plans to launch a new-look TLC as a free-to-air entertainment channel in the UK and Ireland.

NEP Group secures funding and debt refinancing
Outside broadcast specialist NEP Group has secured a $700m equity investment from a group of co-investors led by the company 26North Partners LP (26North).

Apple wins US broadcast rights to Formula 1
Apple has won the rights to broadcast Formula 1 races in the United States for the next five years in a deal reportedly worth approximately $150m a year.

Netflix to merge Scanline VFX and Eyeline Studios
Netflix is merging its visual effects facility, Scanline VFX, and its virtual production specialist Eyeline Studios to create one brand, Eyeline.