With profitability as a primary business objective for streamers, the innovation of technology and associated financial models is the latest hot subject. The viewer experience remains paramount to ensure popularity of the streaming service, which returns best possible revenues. But financial models for buying technology should change to give economies of scale, particularly for services that are scaling rapidly with the growth of streaming. What should profitability-focused media businesses look for from their technology partners?
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Beeb Watch’s Roger Bolton: “If you don’t have sufficient technical knowledge, you have a real problem”
During the past two years, the BBC has announced some of the most extensive cuts in its history, affecting nearly all of its production and creative departments. However, it’s the reductions to BBC News and the World Service that are arguably most concerning. David Davies reports.
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Working conditions in post-production: “It’s a factor in not having children”
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UK’s indie producers need to embrace private equity or risk being left behind
According to recent stats from the British Film Institute (BFI), spending on film and high-end television production in the UK reached £4.2bn in 2023. While this is great news at face value, Sarudzayi Marufu, founder and executive producer of Euras Films, argues that domestic film and TV producers are being neglected, representing only 11% of the total spend. Marufu believes that the return of private equity could help bring UK indie film back from the brink.
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