There was much to be concerned about at the recent Edinburgh TV Festival, but as Michael Burns reports there were also some bright sparks to cheer the industry.
The Edinburgh TV Festival, when the UK TV production community traditionally decamps en masse from ‘the Smoke’ to a conference centre in ‘Auld Reekie’, is an opportunity for big debates to be aired, as well as news revealed of upcoming shows and formats. With almost a week of sessions and panels, it’s impossible to cover everything in one article, but here’s an overview of announcements and a taste of some of the talks.
Edinburgh TV Festival 2023: New slates
On the horizon are Prime Video UK Original documentary The Fake Sheikh; Virdee, a new six-part detective drama based on AA Dhand’s crime novels and starring Sacha Dhawan; Jenna Coleman will star as a rookie detective in The Jetty, a four-part BBC thriller from writer Cat Jones and producer Firebird Pictures. Drama The Tattooist of Auschwitz (starring Harvey Keitel) and a host of factual shows were announced by Sky; a new reality TV series The Fortune Hotel, produced by Tuesday’s Child for ITV and STV in 2024 will be hosted by Stephen Mangan; while Disney+ showed previews of three-part documentary, Coleen Rooney: The Real Wagatha Story...
You are not signed in.
Only registered users can view this article.
AI and the evolution of MAM: Part three – future outlook
In the final part of our investigation into MAM’s current and future relationship with AI, James McKeown analyses where the technology is likely to take asset management capabilities next, and the other factors driving the evolution of the space.
RSIFF: Kingdom underlines ambitions to become filmmaking powerhouse
Saudi Arabia's cinema market is experiencing a cultural renaissance, driven by increasing local productions and a growing appetite for diverse storytelling, reports Adrian Pennington from the Red Sea International Film Festival.
AI and the evolution of MAM: Part two – current applications
In part two of IBC365’s exploration of the MAM ecosystem, James McKeown finds out where AI is currently having the most positive impact on media workflows.
AI and the evolution of MAM: Part one – risk analysis
Forms of AI and automation have been making efficiencies in media asset management (MAM) systems for some time, but as the technology becomes more powerful and its potential applications more expansive, what are the major considerations and risks of AI’s role in MAM? James McKeown explores in the first of a three-part investigation.
The Rory Peck Awards 2024: Protecting freedom of expression and democracy
Channel 4 recognised as most successful commissioner with multiple finalists in three out of four categories, including two from Katie Arnold in the same category. For the first time, winning entries across all four categories focus on one story, Gaza.