There was much to be concerned about at the recent Edinburgh TV Festival, but as Michael Burns reports there were also some bright sparks to cheer the industry.
The Edinburgh TV Festival, when the UK TV production community traditionally decamps en masse from ‘the Smoke’ to a conference centre in ‘Auld Reekie’, is an opportunity for big debates to be aired, as well as news revealed of upcoming shows and formats. With almost a week of sessions and panels, it’s impossible to cover everything in one article, but here’s an overview of announcements and a taste of some of the talks.
Edinburgh TV Festival 2023: New slates
On the horizon are Prime Video UK Original documentary The Fake Sheikh; Virdee, a new six-part detective drama based on AA Dhand’s crime novels and starring Sacha Dhawan; Jenna Coleman will star as a rookie detective in The Jetty, a four-part BBC thriller from writer Cat Jones and producer Firebird Pictures. Drama The Tattooist of Auschwitz (starring Harvey Keitel) and a host of factual shows were announced by Sky; a new reality TV series The Fortune Hotel, produced by Tuesday’s Child for ITV and STV in 2024 will be hosted by Stephen Mangan; while Disney+ showed previews of three-part documentary, Coleen Rooney: The Real Wagatha Story...
You are not signed in
Only registered users can read the rest of this article.
Spatial computing: “Instead of showing people a story, you’re letting them inhabit it”
Leveraging generative AI, computer vision, and data from real environments, spatial computing has opened the door for cutting-edge systems that blend the physical and digital worlds into a new frontier of human-technology interaction.
NAB preview: Automation, reinvention and politics to steal the show
NAB 2026 looks set to bring a raft of creativity and technological innovation, yet serious political and environmental questions remain.
How vertical video became the new frontline for live sports
Live sports entertainment remains the most powerful driver of real-time engagement in media, but the format through which it’s delivered is rapidly evolving.
From green screen to Unreal worlds: The tech stack driving virtual production
As broadcasters and content creators embrace in-camera VFX and data-driven workflows, a new technology stack is redefining what can be achieved on set and who can afford to achieve it. Framestore’s Connor Ling explores the possibilities of this evolving ecosystem.
Software studios: How inevitable is fully software-defined production?
With the rise of free, high-quality media tools, physical broadcast production hardware is looking less and less essential. IBC365 investigates.
.JPG)
.jpg)
