The world of IP-based video is defined at present by a couple of major technologies. David Davies examines their primary points of difference and wonders ‘what’s next’ for media connectivity and transportation.
If you wanted to put a date-stamp on the birth of modern media networking technology, then you would need to be looking closely at the last four months of 2015. In September that year, the Network Device Interface (NDI) software specification developed by NewTek was publicly revealed and demonstrated at the IBC Show. A few months later, the TR-03 and TR-04 technical recommendations were published by the Video Services Forum; these would go on to provide important foundations to the SMPTE ST 2110 standards suite, the first four parts of which were published to no little fanfare in November 2017.
The concentration of ST 2110 on uncompressed video arguably does much to explain its initial rise to prominence. Large broadcasters and service providers were always going to be in the vanguard of companies with the resources to adopt IP media at an earlier stage and were inevitably going to require the highest possible (uncompressed) video quality...
You are not signed in.
Only registered users can view this article.
AI and the evolution of MAM: Part three – future outlook
In the final part of our investigation into MAM’s current and future relationship with AI, James McKeown analyses where the technology is likely to take asset management capabilities next, and the other factors driving the evolution of the space.
RSIFF: Kingdom underlines ambitions to become filmmaking powerhouse
Saudi Arabia's cinema market is experiencing a cultural renaissance, driven by increasing local productions and a growing appetite for diverse storytelling, reports Adrian Pennington from the Red Sea International Film Festival.
AI and the evolution of MAM: Part two – current applications
In part two of IBC365’s exploration of the MAM ecosystem, James McKeown finds out where AI is currently having the most positive impact on media workflows.
AI and the evolution of MAM: Part one – risk analysis
Forms of AI and automation have been making efficiencies in media asset management (MAM) systems for some time, but as the technology becomes more powerful and its potential applications more expansive, what are the major considerations and risks of AI’s role in MAM? James McKeown explores in the first of a three-part investigation.
The Rory Peck Awards 2024: Protecting freedom of expression and democracy
Channel 4 recognised as most successful commissioner with multiple finalists in three out of four categories, including two from Katie Arnold in the same category. For the first time, winning entries across all four categories focus on one story, Gaza.