IBC365 Tutorial: Ben Studer, Customer Success Director EMEA at Backlight, explains what a Media Asset Management (MAM) system is, who it’s for, and how it helps teams deliver high-quality content more efficiently.
IBC365 Tutorial highlight: Understand how esports broadcasts cater to global, online audiences on platforms like Twitch and YouTube and the need for production teams to stay flexible, to fill unexpected gaps.
IBC365 Tutorial: Malcolm Ellison, Principal Media Solutions Architect at Base, provides critical insight on how to modernise media workflow integrations in the cloud.
IBC365 Tutorial highlight: From PTZs to jibs, High Viz Media Group explores key considerations when looking to build a broadcast-ready camera setup for esports – balancing quality, movement, and budget.
IBC365 Tutorial: Roald van Buuren, Co-Founder of ELO walks through how an esports event comes to life, from the publisher’s initial idea to the final live broadcast.
IBC365 Tutorial highlight: What are the key factors to consider on-site when setting up an esports production? Emma Sheldon, Head of Production at Whisper Sports, highlights considerations such as connectivity and power.
IBC365 Tutorial: Rob Stevens, Technical Director, and James Williams, Projects Director at High Viz Media Group, take you behind the scenes of building a live esports broadcast workflow, using a high-intensity tournament as a case study.
IBC365 Tutorial highlight: How can you use AI tools to generate visual scenes by crafting detailed prompts? Eline Van Der Velden, CEO and Founder of Particle6, provides some recommendations for subject motion, camera movement, scene dynamics, and the desired style or tone to ensure that AI delivers visuals that match the creative vision.
IBC365 Tutorial: While built on broadcast principles, esports production uniquely combines sport, entertainment, and digital culture.
IBC365 Tutorial highlight: Guy Gadney, CEO of Charismatic.ai unpacks the ethical challenges around using AI as a creative collaborator, examining questions around ownership, bias, authenticity, and the future of creative jobs.
