With the spend on advertising dollars reaching fewer people brands are turning to branded entertainment and other content creation channels.
Some are becoming broadcasters, creators and media platforms in their own right.
At the panel session Brands as Media: Reinventing the relationship between content and advertising, Gau Narayanan, MD Europe, Vice Media Group, said the shift is being driven by both “push” and “pull” forces.
“Brands are being pushed away from conventional advertising as its effectiveness declines, and pulled toward the places audiences now spend their time which are creator‑led platforms, social communities and entertainment formats.”
Branded entertainment, Narayanan argued, only works when it meets three criteria: audiences must willingly choose to watch it, it must deliver genuine value, and it must drive reach and fame for the brand.
“Brands are looking for places where cost per reach isn’t going through the roof and efficacy isn’t going down. If it doesn’t drive reach and fame, you’re doing it for yourself,” he said.
Noëlla Neffati, Director of Sport & Entertainment, M&C Saatchi Europe said the key for sports brands is understanding passion points where rituals, calendars and communities already exist.
“You rarely create fandom from scratch,” she said. “The question is what can a brand bring to something people already care about?”
She noted that football brands must plan for long‑term engagement, not just campaign spikes.
“It’s easy to activate in September,” she said. “But how do you keep people engaged in February when their team might be out of the competition?”
From the brand‑side perspective, Ksenija Koženkova, Head of non-standard Media Partnerships & Innovation, Vinted, said operating inside a company changes the dynamic.
“When it’s good, everyone is excited. When it’s bad, you have to explain why. We look very deeply at performance and creative solutions.”
The panel agreed that brands must now think like studios: developing formats, building communities, and earning attention rather than buying it.
“Audiences are choosing stories, not slogans,” Narayanan said. “The brands that succeed will be those that understand culture, not just marketing.”
IBC2026 Live Blog: Day 4 – Everything you need to know
Welcome to the IBC2026 Live Blog, getting under the skin of the global media and entertainment industry's biggest and best trade show.
Delta Protocol sets sights on becoming new streaming industry standard
The Saturday pre-lunch slot on Hall 14’s Future Tech stage was ably filled by the presentation of the IBCAccelerator project, ‘Delta Protocol: The Future of Live Streaming’.
Virtual production: Patient GenAI educators needed
Kicking off Saturday morning on the Future Tech Stage, a fireside chat titled ‘Hybrid Filmmaking: How Innovative Dreams Is Rewriting the Rules of Production’ saw Adam Jones, Director of Production Technology and Innovation, Innovative Dreams, dig into the details of integrating generative AI and virtual production into his filmmaking pipeline with Sean Wallitsch, Senior Visual Compute Solutions Architect, Amazon Web Services.
EBU confident of shared cloud future
European public service media have taken a significant step toward a shared cloud future. A new feasibility study revealed for the first time at IBC, confirmed that a pan‑European cloud ecosystem is achievable — provided broadcasters can overcome several organisational, financial and regulatory hurdles.
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