Girls with money, men with power. A group of fun-loving young American girls explode into the stiff upper lipped London season of the 1870s, kicking off an Anglo-American culture clash in Apple TV series The Buccaneers, reports Adrian Pennington.
The ensuing drama is played out to a soundtrack featuring female musicians from Taylor Swift to Olivia Rodrigo. “There is the intent from ground zero to reinvent the genre and let it cut loose from the corset strings of period drama tropes,” said Oliver Curtis BSC (Netflix’s Stay Close) who helped design the show look and shot episodes 1 and 2 with director Susanna White (BBC’s Bleak House). “It’s about a collusion of attitudes and sensibility which, from a stylistic point of view, could take you in lots of different directions.”
Inspired by Edith Wharton’s unfinished final novel of the same name, from series creator Katherine Jakeways, the eight-part drama is produced by Forge Entertainment and stars Norwegian actresses Kristine Frøseth and Alisha Boe with Mia Threapleton and Christina Hendricks (Mad Men).
Curtis had not made a period drama since...
You are not signed in
Only registered users can read the rest of this article.

Behind the scenes: The Lost Bus
Editor William Goldenberg and Director Paul Greengrass elaborate on the plot of The Lost Bus, a white-knuckle ride disaster movie with a burning environmental message.

Behind the scenes: Bulk
For Ben Wheatley’s experimental, low-budget ‘midnight movie’, DoP Nick Gillespie incorporated a mix of formats, DIY effects, and back projection techniques to evoke classic cinema.

Behind the scenes: Nobody 2
Cinematographer Callan Green breaks down the colourful visual aesthetic of the action-comedy sequel Nobody 2.

Behind the scenes – Bookish: “We murder very well”
It seems unlikely that Mark Gatiss would ever get angry but mention ‘cosy crime’ and the Sherlock creator exhibits mild exasperation.

Behind the scenes – F1: The Movie
F1: The Movie gives the sensation of racing at 200mph from a driver’s eye view thanks to two sets of new cameras custom-engineered for the film.