In a world of green screen and AI, the sets for Gladiator II might be the last great build in movies.
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Behind the scenes: Dept. Q
Netflix's latest police procedural is a love letter to hardboiled noir and classic British TV crime drama, says showrunner Scott Frank.
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Behind the scenes: How to Train Your Dragon
This remake of a classic animation works from Roger Deakins’ original lighting design, a colour palette plucked from the Faroe Islands, and puppeteered dragons, explains DoP Bill Pope.
Behind the scenes: Andor
“We’re not writing to the headlines, but you see this sort of conflict and empire building happen over and over again in history”, says John Gilroy, lead editor and executive producer of Star Wars spy thriller Andor.
Behind the scenes: Sinners
Shooting large format IMAX and designing a surreal montage resonated with the film's themes of spiritual ancestry and musical legacy.
Behind the scenes: 1992 and the colourist of Seville
Netflix series 1992 presents a chilling depiction of Seville during the 1992 World’s Fair, where heavy contrasts of light, dark, and a muted colour palette set a gothic atmospheric tone for this suspenseful thriller.
