Behind the Scenes: Gladiator II

The Marvel universe series is designed to work both as a gritty monochrome detective story and as a stylised, visually saturated comic book world.

Time-zone differences, travel demands, and the geographic spread of host cities are forcing FIFA’s host broadcast and rights holders to rethink traditional production approaches.

What began as a technical experiment in 1956 is now a global cultural institution reaching approximately 170 million viewers on TV across three live shows and generating billions of views on digital platforms. IBC365 gets a tour backstage in Vienna.

When Cinematographer Blake McClure signed on to shoot HBO’s new comedy Rooster, he wasn’t looking to reinvent the sitcom; he was looking for a way to stretch the visual language of comedy to integrate the intimacy of large format.

Given the chance to shoot the 18th century action-drama Bedlam, Cinematographer James Butler crafted a daring project that merged medium-format photography with cutting-edge digital cinema on a customised Blackmagic URSA Cine 17K 65.