Semi-improvised, guerrilla-style filmmaking brings gritty realism to Sean Baker’s beleaguered love story.
As the needle drops on Take That’s ‘Greatest Day’ and before the opening credits have unrolled freewheeling sex dramedy Anora deposits the audience in a strip club. It’s one of many semi-improvised sequences in the Cannes Palm D’or winning feature written, directed and edited by Sean Baker who calls his style “guerilla.”
“We’re setting up this whole first hour of the film like a Hollywood romantic comedy,” the filmmaker said after a screening at the London Film Festival (LFF). “Pretty Woman is a good comparison.”...
You are not signed in
Only registered users can read the rest of this article.
Behind the scenes – Bookish: “We murder very well”
It seems unlikely that Mark Gatiss would ever get angry but mention ‘cosy crime’ and the Sherlock creator exhibits mild exasperation.
Behind the scenes – F1: The Movie
F1: The Movie gives the sensation of racing at 200mph from a driver’s eye view thanks to two sets of new cameras custom-engineered for the film.
.JPG)
Behind the scenes: Live Aid at 40
Celebrating its 40th anniversary, Live Aid made an impact in the summer of 1985 that continues to be felt today. Kevin Hilton explores the background to the seminal charity concert and hears from those who made the broadcast happen.
.jpeg)
How Sky Sports is delivering the Lions Tour down under
Remote production takes centre stage as Sky teams up with Stan Sport to deliver UHD footage at the heart of the action.
.jpg)
Behind the Scenes: Jurassic World Rebirth
The VFX blockbuster opts for an old school production by shooting extensively on location and on film.
