Semi-improvised, guerrilla-style filmmaking brings gritty realism to Sean Baker’s beleaguered love story.
As the needle drops on Take That’s ‘Greatest Day’ and before the opening credits have unrolled freewheeling sex dramedy Anora deposits the audience in a strip club. It’s one of many semi-improvised sequences in the Cannes Palm D’or winning feature written, directed and edited by Sean Baker who calls his style “guerilla.”
“We’re setting up this whole first hour of the film like a Hollywood romantic comedy,” the filmmaker said after a screening at the London Film Festival (LFF). “Pretty Woman is a good comparison.”...
You are not signed in
Only registered users can read the rest of this article.
Behind the scenes: La Vida y Tal
Jaleo Producciones developed a compact broadcast-style workflow to capture Ana Milán’s improvised performances across theatres in Madrid, Bilbao, Valencia, and Seville, while moving each episode quickly from stage to post-production.
Behind the Scenes: Cape Fear
It’s a jungle out there. Celiana Cárdenas, Director of Photography, explains how the series evoked the oppressive and unsettling atmosphere of a stalker hunting its prey in Apple TV’s pulp fiction.
Esports World Cup: “Mainstream media is a big part of this now, we have to deliver enough content”
A last-minute pivot to Paris brought its own set of challenges as ESL FACEIT assembles the world’s largest esports event. Adrian Pennington reports.
Behind the Scenes: The Odyssey
Art and technology combine for epic storytelling, if you believe the marketing for Christopher Nolan’s latest.
Behind the scenes: Spider-Noir
The Marvel universe series is designed to work both as a gritty monochrome detective story and as a stylised, visually saturated comic book world.
.jpg)
.jpg)