AI reshapes broadcast, but humans stay central

Senior leaders from Australia’s ABC and Olympic Broadcasting Services (OBS) outlined how AI is reshaping every editorial and operational workflow while insisting that human judgement remains central.

Senior leaders from Australia’s ABC and Olympic Broadcasting Services (OBS) outlined how AI is reshaping every editorial and operational workflow while insisting that human judgement remains central. 

Speaking in ‘Tech Leader Perspectives – how AI is reshaping the business of media’ at the IBC Conference yesterday, Damian Cronan, Chief Digital Information Officer, ABC, said: “Trust in us as an institution is central to our relationship with the Australian public. We are leaning into AI but slowly. It’s a carefully considered, calibrated approach.” 

ABC has spent the past year building an AI governance framework and rolling out Claude to more than 5,000 staff, supported by training and an internal model tuned to ABC editorial values. AI is already powering automatic transcription, improved online discoverability and the broadcaster’s vast AI‑powered archive, which surfaces half a million hours of video and 400,000 hours of audio. 

Cronan said AI is also giving traditional radio bulletins a “second digital life,” generating online versions while keeping human journalists at the centre. “We’re not about replacing humans. Human origination is the differentiator. If everyone’s just generating content from AI, what makes you unique?” added Cronan. 

While ABC focuses on trust and augmentation, OBS is using AI to meet the extreme scale and speed of Olympic production. CTO Sotiris Salamouris said Paris 2024 required 11,000 hours of content in two weeks, with Milano Cortina set to exceed 6,500 hours. “AI is now critical to handling that volume,” he said. 

D3-Tech Leader Perspectives (1).jpg
Sotiris Salamouris, CTO, OBS; Damian Cronan, CDIO, ABC; Laurent Colombani, Partner, Bain & Co

OBS uses AI to automatically compile highlights – “top ten actions of a match or best moments of an athlete,” noted Salamouris – and deploys computer‑vision systems to analyse performance in real time, including jump height and landing speed in figure skating. 

It has built AutoNarrate, a generative‑AI tool that watches live feeds and produces instant summaries. “You can follow multiple transmissions without watching the whole match,” Salamouris said. 

OBS has worked with AI since 2018 and now runs around 50 projects, guided by a framework of ‘Enablement, Engagement and Efficiency’. “AI helps us do things we couldn’t do before – explain sports better, engage audiences more, and make workflows more efficient,” Salamouris said. 

Latest IBC Show
Evan Shapiro - moderator   Will Pithers, Strategic Partner Manager, Sport, META   Tim Haubeil, Channel Director, Sidemen Entertainment   Sami Qasem, Director of Creator and Content Partnerships, Tubi   Jorrit Eringa, Head of Content Partnerships for the Benelux and Nordics, Snap Inc   Helen O'Donnell, Interim VP. Content & Creators, BBC Studios Digital Brands

Creator culture is no longer a side‑show

Creators have become studios, studios have adopted creator logic, and audiences increasingly reward authenticity over scale. That was the clear message from executives at Meta, Sidemen Entertainment, Tubi, Snap and BBC Studios during a lively IBC panel on the creator economy.

Read more
Yiannis Exarchos: “Scaling is the only option if you want the whole world with you.”

IBC2026 insight: LA28 will be the biggest broadcast event ever

The Los Angeles 2028 Olympic Games is set to become the largest broadcast operation ever attempted. Speaking at IBC, Olympic Broadcasting Services (OBS) CEO Yiannis Exarchos warned that traditional production models “simply will not do” as it prepares for unprecedented scale, complexity and audience expectations.

Read more

Delta Protocol: Live media reinvented

As project names go, ‘Delta Protocol’ might sound dramatic, more suited to an Andy McNab novel than a transformational technology initiative, but the reality is rather different. This Accelerator has suitably lofty aims, setting out to do no less than redefine video transmission by shifting from frame-by-frame delivery to scene understanding and semantic intelligence.

Read more

Netflix: Giving creators smarter tools

Netflix is expanding its media production suite (MPS) to third‑party tools, marking a significant shift in how the streamer works with technology vendors and production partners worldwide. The move, announced by Anna Mallett, VP Production for EMEA, comes as Netflix celebrates a decade since its global expansion and continues to scale production across more than 50 countries.

Read more
Favourites:

Registered users only: Login

Share this:
Other themes: