Reflecting on his experience making his first thriller, BAFTA-nominated Editor Ant Boys explains how horror and comedy are cut in a very similar way. Speaking to IBC's Gillian Kelly at the IBC Podcast Studio, he advises: "You need to know there's a monster in the room".
.jpg)
Netflix's Anna Mallett: "We are always looking for ways to focus on creativity"
Anna Mallett, VP Production, EMEA, explains how the streamer is expanding its media production suite (MPS) to third‑party tools, marking a significant shift in how the streamer works with technology vendors and production partners worldwide.
.png)
Sony FX5 draws crowds at IBC Amsterdam
For many visitors, IBC is the first opportunity to get their hands on Sony’s new FX5 camera. The highly anticipated model is drawing big crowds at the Sony stand.
IAMT: State of the Media Tech Report
Chris Evans, Senior Principal Analyst, IAMT, shares his thoughts on the latest findings from the organisation's State of the Media Tech Report
IBC Revisited – Evan Shapiro on the future of TV – Part 4: "What job in professional media is safe?"
Opening up about his childhood, cancer, and getting fired at 50, Evan Shapiro, Media Cartographer at EShap, reveals how his life has shaped his data-driven approach and where M&E is likely to go next.
IBC Revisited – Evan Shapiro on the future of TV – Part 3: "Too often decisions are made by fear or by the CFO"
Tackling everything from AI to fandoms, Evan Shapiro, Media Cartographer at EShap, predicts the most significant changes due to occur in the industry over the coming years.
.jpg)
.jpg)