iPhone users spend around 40% more on micro-drama apps than Android users, according to Omdia research, challenging common assumptions about who consumes and pays for the rapidly growing form of entertainment.
Micro-dramas are often perceived as appealing primarily to lower-income or niche audiences, but Omdia’s latest consumer research suggests the reality is more nuanced.
In several major markets, iPhone users are significantly more likely to pay for micro-drama content than Android users, highlighting the strong commercial potential of these audiences.
In the US, micro-drama adoption is now well established across both mobile ecosystems. Around 9% of iPhone users and 10% of Android users have used at least one micro-drama app during the past three months. Monetisation rates are also similar, with 69% of iPhone users and 68% of Android users saying they pay for content through subscriptions, one-off purchases, or in-app currencies.
Outside the US, however, clear differences emerge. In Brazil, 48% of iPhone users pay for micro-drama content, compared with 39% of Android users. In Germany, the figure is 49% versus 44%, while in South Korea it is 59% versus 45%.
Complementing the consumer survey, Omdia’s analysis of sensor tower data found that iPhone users spend approximately $14 per week on micro-drama apps, compared with around $10 per week for Android users.
The research indicates that while audience reach is becoming increasingly similar across mobile platforms, willingness to pay and overall consumer value differ significantly between device ecosystems and regions.
"Micro-dramas are rapidly becoming one of the fastest-growing segments of digital entertainment. Understanding who watches is important, but understanding who pays is what drives long-term commercial success," said Maria Rua Aguete, Head of Media and Entertainment at Omdia.
She continued: "What’s particularly fascinating is how our research challenges many of the assumptions surrounding micro-drama audiences. The genre has often been dismissed as appealing primarily to lower-income or niche consumers. Our findings tell a different story. In many markets, iPhone users are actually more likely to pay for micro-drama content than Android users, highlighting that these audiences are more diverse and commercially valuable than many in the industry have assumed. For content owners, app developers, and advertisers, understanding these differences will be critical as the global micro-drama market continues to expand."
Omdia also recently found that micro-dramas are rapidly emerging as one of the fastest-scaling formats in online video. Discover more here.
Full IBC2026 conference agenda: Innovators and technology leaders take to the stage
Exploring the three core pillars of IBC2026 – shifting business models, transformative tech, and people and purpose – this year's free-to-attend showfloor content programme will address the biggest issues impacting the global media and entertainment community.
OBS to receive IBC2026 International Honour for Excellence
IBC will present the International Honour for Excellence (IHFE) to Olympic Broadcasting Services (OBS) – recognising the company’s decades of innovation in live sports production and its far-reaching impact on the global broadcast industry.
ESPN and Disney+ test AI-powered search and discovery tools
Disney-owned platforms ESPN and Disney+ are beta testing AI-powered features designed to help audiences find information and content.
Ad tiers become dominant streaming monetisation model in North America
Revenues from ad-supported tiers in North America are set to exceed $45bn this year, accounting for more than half of all subscription streaming revenues, according to Ampere Analysis research.
Canal+ strikes Africa deal for UEFA football
French pay-TV group Canal+ has acquired exclusive rights in all languages of the clubs’ Men’s European cups in Sub-Saharan Africa from mid-2027.



