Masters of the Air takes place over the skies of Nazi-occupied Europe and at the very least doesn’t flinch from the horrific conditions faced by men in metal tubes flying five miles above ground, writes Adrian Pennington.

Having been successfully deployed for key live events and reality shows, 5G production has proven its mettle for the big stage. John Maxwell Hobbs explores how its wider adoption is set to transform the broadcasting landscape.

As part of its celebrations for the 60th anniversary of Doctor Who, the BBC commissioned a feature-length version of one of the most important stories in the show’s history, in full colour with a Dolby Atmos soundtrack. Kevin Hilton talks to the sound designer and colourisation artists who worked on The Daleks in Colour.

Making sure there is a clearly defined set of user needs is fundamental to the start of every new phase in the ongoing AMWA NMOS project, writes David Davies.

Pitches for the shortlisted projects on the IBC Accelerators Innovation Programme were presented in a quick-fire round in front of an international M&E audience at the Kickstart Day on 6 March.

The highly-anticipated sequel to the epic Dune: Part One had the challenge of communicating the deeper narrative of the original novels all the while creating a standalone film, reports Adrian Pennington.

Oblique and powerful takes on the Second World War dominate at the Oscars, reports Adrian Pennington.

Could a proprietary live-streaming platform unlock key commercial opportunities in the esports domain? Dan Symonds reports.

How do audio engineers develop an expertise in surround mixing and what are the elements that characterise a great immersive mix? David Davies speaks with the best ears in the business to discover more.

Set in a fictional British town hit by devastating flooding, a timely new ITV1/ITVX mystery thriller generated some very specific challenges for the production crew, writes David Davies.