IBC365 has kicked off its series of bitesize tutorials, which offer a peek behind the scenes of the industry’s most pressing trends. Part 1 introduced speakers from Staffordshire University’s £2.9 million expanded esports provision discussing the growth of esports, the future potential for broadcast solutions and the cutting-edge technology used in the University’s brand-new arena.
The advent of cloud computing technologies means the broadcast industry is currently undergoing a seismic shift. This transition from traditional hardware-based setups to complex IT-centric systems is fundamentally altering the landscape of media production. Industry veterans Stuart Ray, the Head of Skills and Development at The IABM and Damon Neale, the Managing Director of consulting firm Mediate Solutions highlight the urgent need for a revamped approach to training and development within the industry.
When it comes to producing an eye-catching spectacle, esports companies have come a long way since the early days of small-scale tournaments and low production values. Today, a regular production for a high-tier tournament has dozens of people taking part, and using some of the most high-tech products available.
The countdown is on for the Paris Olympic Games, which begin on 26 July and run until 11 August. As well as a showcase for sporting prowess and achievement, the event also presents a huge opportunity as well as a challenge to those responsible for ensuring every moment is captured and broadcast to viewers around the world, with streaming services set to play an increasingly important role.
In Alex Garland’s action thriller cameras are a weapon of truth, writes Adrian Pennington.
Now available on-demand, IBC365’s latest webinar explores the most recent collision between gaming and television, and how advances in CTV, streaming and VR pave the way for new forms of media consumption.
Two of this summer’s major footballing events are set to be captured in HD HDR rather than 4K UHD. Adrian Pennington asks if this is the start of a downward trend for 4K broadcasting.
Esports production shares many qualities with live sports, but sound engineering is a whole new game. IBC365 explores the complexities of controlling who hears what in a crucible of noise.
What are the limits for using GenAI in production and how capable is it of creating skilled and engaging content? IBC365 learns more about the recent findings from Pact’s AI working group.
A busy NAB showed above all that innovation in media and entertainment hasn’t slowed with exhibits on the show floor incorporating AI, prioritising net-zero and integrating with the cloud.