Features

The world of Esports is not only a dynamic and exciting one, but it has begun to attract considerable interest thanks to a more professionalised approach to content and broadcast deals. Mark Mayne reports on gaming’s rising star.

The Hundred, the ECB’s 100-ball-a-side competition, aims to carry over momentum from The Ashes as it commences this week. Adrian Pennington takes to the crease to uncover the inside story.

New Pixar animation Elemental is the Walt Disney Company’s most technically complex feature film to date and required a new data storage pipe that lays the foundation for use of AI, reports Adrian Pennington.

Aspirations vs. the reality of diversity progression in media production proved to be an indispensable conversation at Soho Media Club and Outernet London’s collaborative event, BE YOU Festival which took place in London this month, reports Sheryl Hickey.

The cloud continues to revolutionise the media and broadcast industry, offering unprecedented opportunities in areas such as scalable storage, content management and distribution, digital workflows, and real-time collaboration. 

For a machine-tooled $290 million stunt-fuelled blockbuster it comes as a surprise to learn that the latest Mission: Impossible instalment was made with improvisation and experimentation at its core, reports Adrian Pennington.

For a film as singularly American as Asteroid City, Wes Anderson chose to base his latest film in Spain, writes Adrian Pennington.

The FIFA Women’s World Cup Australia & New Zealand features a number of production firsts including volumetric ‘datatainment’, fully remote live matchday hosting, and a stream dedicated to TikTok – but it is all in HD, reports Adrian Pennington

The technology landscape is constantly evolving, introducing new products, defining smarter production processes and offering fresh approaches to traditional ideas.

The Championships, Wimbledon 2023 may feature more UHD and High Dynamic Range coverage than ever this year but it’s the volley of editorial firepower being served up that is the real story of the Championship’s technical production, writes Adrian Pennington.