The Championships, Wimbledon 2023 may feature more UHD and High Dynamic Range coverage than ever this year but it’s the volley of editorial firepower being served up that is the real story of the Championship’s technical production, writes Adrian Pennington.
5G is one of the hottest topics in broadcasting and, for the media and entertainment sector, the technology will prove to be transformative.
BBC Studios executives explain to Adrian Pennington how they brought a “a chunk of British summer” from a field in England to audiences across radio, TV and iPlayer.
While the two frontrunners in the NGA codec stakes are similar in many ways, a comparison of their background and frame of reference gives some interesting insights, writes John Maxwell Hobbs.
A Gerard Butler action movie is the first Hollywood production to be filmed entirely in Saudi Arabia and the first to shoot in the country’s majestic, barren and hitherto off-limits AlUla region, writes Adrian Pennington.
Speed dates, strict monitoring bubbles, world-first lighting effects and a stage that resembles a giant hug – welcome to the team embracing Eurovision 2023 from the heart of Liverpool to the soul of Ukraine. Adrian Pennington reports.
The ‘anti-Line of Duty’, Blue Lights is a gritty cop drama set in Belfast, but with plenty more to it than initially meets the eye, writes Adrian Pennington.
As unlikely as it may seem, the noose is tightening around Chinese-owned social media phenomenon TikTok. Were it to be banned outright, what impact would this have on the short form video creator community? Adrian Pennington investigates…
Immersive experience venues are changing the face of live events and the Madison Square Garden Sphere aims to top the lot by creating a new entertainment medium, writes Adrian Pennington
2022 marked the 10th anniversary of the first significant public demonstration of 8K television when NHK and the BBC co-operated to present the London Olympic Games on 15-meter-wide screens in London, Glasgow, and Bradford, writes John Maxwell Hobbs.
